
When set to 0, the line is the most regular. Tremor affects jitteriness of the stroke. Increasing the value will create elliptical end caps, and the higher the value the longer the ellipses will be. A setting of a little less than 1.0 (such as 0.9) will most closely follow natural hand movement, like using a real stylus.Ĭaps determines how the line ends. When set to 1.0, Angle is set to adjust to stroke direction most strictly (as if the stylus were kept exactly in the same direction at all times as a machine might be able to do). When set to 0.0, Angle is set always perpendicularly to the path so that the width looks nearly the same all along the path (as if the stylus were rotated constantly in the direction of the stroke). Fixationįixation changes the way the Angle width follows the calligraphic path. When activated, Angle is modified relatively to tilt of the tablet pen. When set to 0, the hair line is horizontal to 90, vertical. Angle will affect the direction at which the stroke creates its thinnest part, just like a calligraphy pen. The Angle setting is used to emulate a stylus type of writing instrument.

When set to 0.0, the line keeps its width with uniformity. Notice that a negative thinning results in a thicking. The higher the thinning value is, the more the stroke will be thinned. For instance, dragging a stroke at a uniform speed will create a mostly uniform stroke width, while increasing speed will decrease width, and decreasing speed will increase width (to a degree). This value enables the calligraphy tool to emulate true ink flow from a pen or brush. Thinning is a way to modify the width of the calligraphy stroke dynamically according to the speed at which the stroke is made. This can work alone or in combination with pressure sensitivity, depending on whether the "Use pressure" button is also toggled. This works with both bitmap and vector images and allows the artist to not only hatch over an imported bitmap image or any drawing, but to do so automatically reproducing the highlights and shades of the background with your strokes becoming lighter and heavier as needed. In the background objects, white translates into the minimum stoke width (1) and black translates to the maximum (which is set by the Width parameter). Trace Lightness to Width adjusts the width of the stroke to the lightness of objects behind it. When on, Calligraphy uses pen tablet pressure to affect such values as stroke width. Warning: Calligraphy stroke width is relative to the current view and zoom factor. This basic width is then automatically modified depending on the other values (such as pressure of the tablet pen) and settings (such as the toggle setting of Input Device Pressure).

The Calligraphy Tool has many options available in the Tool Controls bar which allow the artist to create very specific types of strokes. The Calligraphy Tool can be called by clicking its icon in the Toolbox or by pressing C or Ctrl+ F6.Ĭalligraphy shapes are drawn in the same manner as any other shape - just click on the canvas and drag. Also, like all arbitrary SVG shapes, calligraphy paths have strokes at their edges, so they are affected by the usual Fill and Stroke settings.

Being comprised of multiple nodes, calligraphy strokes can be modified by other path tools, for example the Node and Tweak tools. This is not a live shape, like rectangles and stars, but an arbitrary shape consisting of node paths. The Calligraphy Tool does not draw a single path line like the freehand tool, but a whole filled shape. This makes the Calligraphy tool excellent for drawing more natural, smooth and consistent strokes, particularly when using a pen tablet or similar input device. (Some of these parameters are affected only by use of an input device such as a drawing tablet.) By changing these parameters, various types of "strokes" can be made.

The SVG "stylus" transforms as if it were a physical stylus or brush, depending on its mass, speed, orientation and friction. The Calligraphy Tool uses dynamic drawing techniques that apply simple filters to the cursor place and motion.
